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What are Software Samplers? Tweak's Guide to Recording Success Store Links s What are Software Samplers? How to Choose the Right one for your Studio by Tweak T he process of 'sampling' audio is everywhere in the modern studio. Sampling is just another word for recording sound on digital media. We find this process of sampling audio in our sequencers, multi track recorders, CDR recorders, in many workstation synths, in hardware samplers (of course) and even in effects boxes.

How interesting it is that we usually do not find any form of sampling in most soft samplers! The entire class of products is mis-named. When we talk about soft samplers we are really referring to software sample-playback devices that assign samples to a keyboard or other controller. This mis-naming happened when people compared these new devices to the hardware samplers they replaced. A soft sampler, in general, does everything a hardware sampler does, except record the samples.

When we talk about software samplers here, we mean a software device that maps audio files to a MIDI keyboard or controller. Tweak's Pick for a SoftSampler Kontakt 3 -see my HALion 3 is the latest version of Steinberg’s award-winning software sampler.

Over 50 new features in HALion 3 include 27 added effects, new sound management tools and RAMSave technology. The sleek new user interface and expanded routing functions add even more flexibility to the HALion experience.

A powerful integrated Orchestral Workstation combining the legendary Miroslav Orchestra and Choir sample collection masterpieces with a dedicated plug-in instrument. The MOTU Symphonic Instrument is a cross-platform instrument plug-in that gives users quick and easy access to an enormous 8GB library of quality orchestra sounds for composing, sequencing and rendering realistic orchestral performances. The MOTU Symphonic Instrument can be used with any compatible host application (VST, Audio Units, DXi, MAS and RTAS), where users can load up to sixteen different instruments per instance of the plug-in to create ensembles of any size and scope. The most critical thing you need from a sampler is easy access to your sounds. MachFive (tm) offers unprecedented sound bank management, helping you concentrate on the music – not file handling chores on your hard disk.

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MachFive always remembers where your sounds are located, and it has been optimized for browsing and loading libraries. Even multi-gigabyte libraries are quickly and efficiently scanned Sampler Basics: When you assign samples to a keyboard they can be played like a piano. You can record the MIDI data from your keyboard or controller and trigger these samples on playback. The all important feature is that you can assign a sound to any key(s) at any pitch you want. A decent soft sampler lets you layer sounds, stacked on top of each other like a layer cake. You can map the keyboard to emulate traditional instruments, drum kits, or you can place a whole bunch of loops and beats on the keys.

I often build new keymaps for each song and build a completely fresh sound out of all the samples I have that fits the song rather than hunt for a preset that will work. Samplers vary greatly in complexity, from the ultra basic, like Absynth, lets only lets you put one sound in a keymap, to Kontakt, that will let you put hundreds of samples across a single keymap with different modulators for each sample and let you build massive libraries of tens of thousands of presets.

The more features a sampler has, the more things you can do with it. Samplers usually have a synth engine inside that let you do creative things when you apply synthesis functions (envelopes, LFOs, filters and looping) to the samples. In the 'big' softsamplers like Kontakt2, Emulator X and GigaStudio you have exacting control of the sound and can go way out if you want. Why we use Soft Samplers Two words, Realism and Creativity. First, Realism. While few are going to be fooled when you try to play a string section from your MIDI sample based synth, you will fool more of the people, more of the time, using an excellent set of quality samples.

Don't get me wrong, you can go really far with a synths emulating acoustic instruments, especially if you have good technique, but when it has to sound real, you need a sampler and a great set of samples. Second, its for Creativity. When you map your own sounds to the keyboard and play them with your hands the brain hears pathways open and you find cool stuff to do.

Many trippy beats, hooks, special effects have been discovered this way. You never know what gold you might mine. Premium Sample Libraries But you don't have to make samples to use a sampler or softsampler. You can simply buy libraries. The past few years have seen a massive changeover from sample cd-rom libraries (mainly designed for hardware samplers) to DVD based libraries which can hold several gigabytes of samples.

Indeed we can now get massive orchestral libraries like the Vienna Symphonic Library (VSL) (240 GB) which lists for nearly $6,000 or the East-West Quantum Leap Symphonic Orchestra Platinum (68 GB) which lists around $1000 or huge 'general' libraries like the East West Goliath (40GB) at a modest $500. There are also high end specialty libraries like the Quantum Leap Rare Instruments (RA) and Quantum Leap Symphonic Choir, both coming in around $500. (These used to cost over $1000 when released) Here ya go, check some out on But if you are new, you aren't ready for these yet.

Who buys this stuff? Professional composers, film soundtrack makers, those that make music for TV and Radio, commercial studios and producers, and those who want the best and can afford it. This Special Edition of Vienna Instruments brings together the complete orchestra and more in an affordable Collection. It is the ideal, resource-saving companion for orchestral arrangements on the laptop, or for newcomers to the world of Vienna Instruments, offering a useful cross-section of Vienna Symphonic Librarys over one million samples. The quality of sample libraries is like it is for other gear for our studios. There is cheap stuff that is usable and cheap stuff that is total garbage. There's lots of mid range stuff that is great, some greatly disappointing, and high end stuff that is truly stellar, but you pay dearly for it. Make sure you listen to demos-that is how the library sounds under the best of conditions.

The choice has a subjective element too, so take all opinions, including mine, with some grains of salt. You are buying a library for your music, not anyone else's.

You can go quite far these days with the sample libraries included free with many soft samplers and there are many reasonably priced libraries that have excellent sound quality, mix-ability and playability. The higher priced libraries contain more articulations of instruments, that is, more nuances, that makes the instrument more realistic, and in many cases, nearly indistinguishable from a real player. And there are more samples in a premium set's instruments. For example, an old hardware sampler string section in an inexpensive library may consist of between 5-24 short, looped samples stretched along the keys.

Your modern DVD based premium library may use 50-300 longer unlooped samples to make a single string section preset. You can guess which one is going to sound more real. You should be getting an idea of the computer horsepower required. Pressing a single key on a massive string section preset in a premium library is like starting 5-8 audio files playing. Hold down a chord on a few tracks and you may quickly drain your computer's CPU and audio streaming capacity.

Hence the big libraries are for those who have the fastest DAWS, with powerful CPUs, lots of memory and fast hard disks. Those with average to mediocre performing laptops should not enter the arena of premium libraries. Orchestral Libraries for the Common Man One way to think of building your sample library is as a lifelong project. You collect samples as you go along. You'll get a starter set with your soft sampler of choice, and you build from there. All the expensive libraries mentioned above have cheaper versions, and some have an upgrade path. For example, the East-West Quantum Leap Symphonic Orchestra (EWQLSO) comes in a Gold and Silver edition.

Emulator X2 has lots of inexpensive libraries. ProSamples offers scores of multi format CD-roms which can be bought one at a time. There are also hundreds of Akai and Emu sample cd roms from the hardware sampler days that can be imported into many soft samplers. Prices are dropping significantly on these now as the industry moves towards the larger DVD based libraries.

Finally, there are massive amounts of WAV file and audio sample CDs in circulation. Just create your own.WAV file from these and drop them in your soft sampler of choice. Its harder work this way as you have to do all the programming, but the results can be great. The Total Studio 2 Bundle is the most complete solution for any DAW available on the market today, with a collection of 12 award-winning plug-ins, including 5 virtual instruments and workstations, plus 7 essential effects plug-in suites, covering every guitar, bass, mix and mastering need with over 160 accurately modeled effects in one all-inclusive package, and offered at one amazing price of up to 80% off regular list prices. Recently, several excellent orchestral sample collections have become available inexpensively. The is one and the, which is actually an older classic orchestral library now in plugin form, are both available for a fraction of the cost of a full orchestral library. Choosing a Soft Sampler There are 2 basic considerations you must heed to get the right product for your rig.

Does your sequencer and soundcard of choice support it? What libraries do you want to run (if any) or what kind of instruments do you want to build (drum maps?

Grand Pianos? Beats and Loops? As you might guess, the performance of any soft samplers will vary dramatically along the lines of all the variables mentioned above. I can't get into all these issues here-those are the things you have to research.

But here's a few notes.the top of the Native Instruments Sampling line, works with most computer platforms and sequencers. It can load the many variations of the East West libraries as well as nearly all soft sampler formats and old sample cd rom formats. They are trying to to it all Kontakt is a great choice if you run multiple sequencers on multiple platforms, and want to be able to load many different formats. The Kontakt 2 Synth Engine is quite incredible, with many ways to warp pitch and time, build scripts for drum patterns, arpeggios as well as the usual filter/LFO/envelope/effects parameters. Its my pick for a soft sampler for all the reasons above. For Beats and Loops I suggest Intakt, but if you are doing anything elaborate emulating instruments, go to the top of the class. Kompakt is a good for just loading libraries (many of the East West libraries come with a limited version of Kompakt).The Emulator is based on the the Emulator Operating System (EOS) which was at the heart of their hardware samplers (which in their day, were considered hi-end gear). Emulator X runs only on systems using Emu soundcards and audio interfaces and is PC only.

Unlike most soft samplers, Emulator X actually can sample and re-sample audio. Its great for building complex instruments and has a comprehensive synth engine with lots of filters, eqs, effects. However, while Emulator X can import libraries from Gigastudio, soundfonts, Akai, EXS and HALion, it won't load Kontakt or any of the East West Libraries (which come with their own stripped down sample playback editors). Emu has its own custom libraries which are inexpensive.This soft sampler is available in Apple's Logic Pro application. It is quite powerful though it looks, compared to the others, graphically crude. It only works in Logic and will not run the East West stuff, but will run versions of the Vienna Symphonic Library, the Peter Siedlaczek Advanced Orchestra Extended, and many of the inexpensive Pro Samples Series CD-Rom. It will also load all the Garage Band instruments.

The EXS 24 will load Akai, Giga, Soundfonts, REX. It's synth engine is compact, trading off complexity for ease of use. HALion is a cross platform soft sampler by Steinberg, and it of course will work with all flavors of Cubase and Nuendo. But it can also be used in Sonar, Digital Performer. It will load libraries in Akai, Emu, Giga, Kontakt, EXS24, Soundfonts, REX and more. It also has a complete synth engine and lots of effects.Mach Five is a cross platform soft sampler that can run in Cubase Sonar, and of course Digital Performer. Since it can be run as an Audio Unit, it should work in Logic as well, though check to make sure it passes the latest AUVAL.

There is RTAS support for Pro Tools LE. It imports Akai, Emu, Giga, EXS, Halion and others.Sample Tank gives you its basic interface and the ability to add 'modules' to extend your library.

It's cross platform, and supports VSTi, DXi, RTAS, MAS and AU. That's Cubase, Sonar, Pro Tools LE, Digital Performer and Logic for those who'd rather think of sequencers. SoundFont-The SoundFont soft sampler engine comes standard with Creative Labs Soundblaster cards, so the price is right. There are many free soundfonts on the web and many inexpensive libraries available that are quite good. However, the soundfont engine does not import other formats. But happily, most soft samplers will import soundfonts, making it a great way to start.

SoundFont files can be used on both Macs and PCs in Kontakt, Halion, EXS and others. However, they are at their best, in my opinion, on a PC using a creative labs Soundblaster card. Drum Kit Oriented Soft Samplers These have become quite popular with today's emphasis on Beats and Drum tracks. The more popular ones include Motu's, Native Instrument's, FXPansion's, Native Instrument's and the These are interfaces dedicated to building great sounding drum maps. Not the thing, of course, for sampling the Steinway in the living room.

Exotic sounding drums and loops can be found in. Do you even need a Soft Sampler? You might not.

You might already have one, or five, and not know it. Sequencers like Fruity loops can be used as a basic soft sampler out of the box. Reason has 3 different samplers in its rack. Reaktor can be used as a basic sampler. Absynth can be used as a one-shot single sample sampler.

Logic has the EXS24mk2. Garage Band's sample playback devices, UltraBeat (a drum sample/synthesis program). Cubase comes with a basic version of Halion and a drum sample plugin. Sonar has its Dimension LE and Dimension Pro products. You might be able to get along fine with what you already have.

Another way to get nice sounding samples into your compositions is to use audio loops, such as Acid Loops or Apple Loops. Logic pro 8, as one example, comes with a huge library of Apple Loops. You can often extract samples froim an audio loop by slicing it up and triggering it on the keyboard. Increasingly, sample makers are bundling their own sample playback interface with their product so you don't have to have a soft sampler.

While all these use samples at their core, you cannot load samples in or export them out. Most of the East-West stuff used to come with a stripped down Kompakt or Intakt player.

Now they come with their new proprietary 'Play' interface. These are great for just using the supplied presets, and some may let you edit them and save more. But you won't be importing anything with these proprietary-playback interfaces. You won't be able to alter the keymap of samples. I really believe the best soft sampler is the one that lets you import a variety of formats and does not prevent you from using the supplied sample library at the sample level.

The trend towards preventing the user from accessing the samples they just licensed appears to be getting more common. Defragmenting for mac. I suggest you consider carefully whether you want to support this trend.

Then there is the shade of grey between soft synths and samplers with the stuff like Trilogy, (or Trillian.coming soon), and Stylus RMX. While proprietary, these libraries offer great value.

Yet you should know, there is no way to get your samples in or out. When this kind of 'Rompler' like device is not going to cut it, you need to get a real soft sampler that imports.wav or.aif and you need a library of samples that you can access as.wav or.aif files. Or you can do what I do, make your own samples in your own studio with mics and hardware synths. No one can put any restrictions on you that way and it is one of the most satisfying ways to make music, knowing you made it all from scratch! To Conclude When you start using a sampler, hard or soft, for the first time you will be amazed at the difference it makes in your sound quality and sound possibilities in your projects.

You can dramatically reduce the difference between a pro studio and your studio using great samples. Rich the Tweakmeister Go to the Go to the Want to Discuss?

Go to the Cool Quote: 'If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.'

Henry David Thoreau (1817–1862), U.S. Philosopher Other Articles on Samplers and Sampling. Using your. How to Rom.

Surviving. How to connect your.

SoundFont. Build Ur Own Free with SoundFonts ©2010 TweakHeadz.com.

Cheap Price Sample Logic The Elements Vsti Dxi Rtas Au For Mac Pro

Overloud TH2 VST RTAS 2.0.1 x86.x64 -AiR 88.5 MB Overloud TH2, The long awaited 4th genearation engine-powered, Custom Guitar Effect Suite is here! TH2 delivers huge sound with flexible and intuitive control. Modeled after a wide variety of amplifiers, one of its most unusual features is its ability to 'morph' between amps, so the guitar player can 'build' his own personal amp.

TH2's Smart Control strip is a row of 8 soft buttons, pots and switches controlling the vital parameters of the current sound. The logic beneath these devices allows the user to control more than one parameter at once. The Smart Control strip and Preset Selection can also be controlled by host automation and MIDI control. Sugar Bytes Thesys STANDALONE VSTi v1.5.0 MacOSX - ASSiGN 17 MB Thesys is a powerful and intuitive MIDI step-sequencer plug-in, giving you control over just about all aspects of your favorite MIDI devices.

You can use Eloquence to create varied and organic bass lines, screaming leads, pulsating chords, and organic pad sounds in the studio or on stage. For live musicians, Eloquence provides a versatile palette of performance options which can be triggered right from your MIDI keyboard: you can transpose, manipulate, twist up, mutate, and mangle your patterns without even getting near your computer. Sugar Bytes has updated Thesys and Consequence to version 1.5, which includes the release of 64-bit and stand-alone versions.

A new MIDI-Drag 'n' Drop feature allows you to drag the pattern directly into a MIDI track or to your desktop. That makes work a lot easier and invites to new experiments. In Consequence you can even create a multitrack MIDI file, to trigger different sound generators with the individual Consequence instruments. Thesys features a new Gate Time Multiplier and an enhanced modulation section. The Standalone turns your computer into a step sequencing monster with lots of MIDI related features, Audio Recorder and the 'Check for Updates' function that will keep all your Sugar Bytes products fresh. Thesys 1.5:. 64-Bit: Thesys is fully 64-bit compatible.

MIDI Export: With the 1.5 update the long awaited MIDI export functionality is there. Just drag and drop from within Thesys to your host or a generated MIDI file to your desktop. Quick and easy. Extra Length: Now you have a modifier for the gate length sequencer. This gives you the possibility for longer notes.

Also you can remote this parameter to easily change the overall gate length. Modulate It: Now each modulation track has an activity animation. You also have a global On/Off control to turn off any modulation. Also each track has a new On/Off switch.

MIDI Program Change: Now you can load Thesys presets via MIDI Program Change. Just put the presets you want to load by MIDI into the MIDI Program folder and turn off the Program Change Filter in the about screen. Extended Playable Range: Click on the arrow over the pitch keys to swap to the new keyboard layout. Now you have a +-24 semitone playable range. Standalone: Thesys now comes with a powerful standalone version. Just play with Thesys and export the results as MIDI or audio file.

Expert Sleepers Crossfade Loop Synth VST VSTi 3.1.2 Mac OS X 6.52 MB Crossfade Loop Synth is at heart a simple sample playback synth plug-in. It plays samples in the classic sampler manner - by simply altering the playback speed according to the desired note. No fancy timestretching or pitchshifting is applied. You can control how the sample is looped as it is played.

An adjustable amount of crossfade can be applied to the loop endpoints to smooth the transitions. This makes it extremely easy to produce glitch-free pad sounds. The loops can also be played backwards and alternately forwards and backwards (pendulum-style). Further sound processing can be applied in the form of overdrive/saturation, filtering, envelopes (for amplitude and filter), pulse-width modulation, oscillator sync and LFOs (one each for filter, pitch, PWM and sync). The synth is 32 note polyphonic, and all parameters can be controlled by MIDI controllers.

Crossfade Loop Synth Effect is the same as Crossfade Loop Synth except you can record live audio to use as the sample, rather than just loading it from disk. You can record continuously, even while playing back. This allows you to use the plugin as an extremely unusual and creative delay effect. For example you can have the delays played back at double the pitch/speed you played them. Or at double the pitch and backwards.

Or as a chord. Or repeat the first beat of every bar. The possibilities are legion. Softube Plugin Bundle Vst Rtas Au Tdm Mac OSX Intel 290MB Swedish Rock 'n' Roll scientists with a strive to make the most accurate simulations possible of professional audio hardware. Softube develops both hardware and software for the audio industry.

A number of high-end computer recording plug-ins are available under the Softube brand and the company has done development for reputable companies such as Abbey Road Studios and TC Electronic.2010 marks a new beginning for Softube as Marshall releases the JMD:1, a guitar amplifier which contains hardware and software developed by Softube. The company was founded in 2003 and consists of four guys with the head quarter in Linkoping, Sweden.

It's located about 2 hours southwest of Stockholm and 1.5 hours away from Stockholm Skavsta Airport. Plugins included: Amp Room Bundle, Effect Bundle, FET Compressor, Passive-Active Pack, Trident A-Range, Tube-Tech CL 1B. Contian: Softube.Amp.Room.Bundle.VST.RTAS.AU.TDM.OSX.INTEL-XVX Softube.Effect.Bundle.VST.RTAS.AU.TDM.v1.0.2.OSX.INTEL-XVX Softube.FET.Compressor.VST.RTAS.AU.TDM.v1.0.3.OSX.INTEL-XVX Softube.Passive-Active.Pack.VST.RTAS.AU.v1.0.2.OSX.INTEL-XVX Softube.Trident.A-Range.VST.RTAS.AU.TDM.v1.0.2.OSX.INTEL-XVX Softube.Tube-Tech.CL.1B.VST.RTAS.AU.TDM.v1.0.3.OSX.INTEL-XVX Download. Cinesamples - Deep Percussion Beds WAV KONTAKT-ASSiGN 3.6GB Percussion loop libraries have been, and will continue to be, a necessary tool for composers on the go. They can transform a cue into something completely different with just a few clicks and one pass on the keyboard. We decided to have a go at an orchestral percussion loop library, but of course in the cinesamples way. We noticed many incredibly bombastic, active and gigantic sounding loop libraries yet we weren’t able to find a loop library suitable for the other moments we are called on to score.

A dialogue scene with underlying tension, or the quieter moments before all hell breaks loose, a troubling flashback to a long forgotten memory, or a scene where the director says “I think the music is saying too much here, perhaps we don’t need music till the next part. Yes, the music needs to say much less or nothing at all (the editor nods his head in firm agreement).” Deep Percussion Beds contains 50 Loop Suites, each loop suite is made up of 3 variations (A/B/C) and a Coda ending. Each Variation grows organically as a piece of music would, variation B being slightly more complex, and variation C being more so. Within each variation you will find the groups/stems which make up the loop to be mapped to Kontakt also. Allowing you to choose either the full mix of each variation or the building blocks. We’ve stretched the Tempo Syncing Engine in Kontakt to the limit – allowing you to use each loop at a wide variety of tempi.

Each stem was painstakingly sliced by hand at multiple tempi allowing flexibility that the far surpasses the native time stretching engine. Also included in the GUI are reverb controls, EQ controls and Compression Controls Deep Percussion Beds is a massive 9GB in size, and uses a combination of our live elements, private libraries and previously recorded materials. Vienna Symphonic Library Opus 1 Flute KONTAKT 589 Mb The flute, or concert flute, has been used throughout history. Once a technically complete traverse flute with a satisfactory timbre had established itself, the amount of solo literature for the instrument increased dramatically. Composers began to explore the limits of the instrument, and experiments with different tone colors and means of articulation resulted in a whole new palette of playing techniques. Converted to Kontakt - Scripts Created by Pablo Fugaz Features:.

Staccato with 4 Round Robin. VSL original legato with improved script. Replacement of Articulations via Modwheel like the Original VSL. Works at a single midi channel. Single interface without having to load multiple articulations separate. Script to increase or decrease the speed of the articulations - legato - flatter crescendo - forte piano.

This greatly facilitates the work when necessary to increase the speed or make legato crescendo faster or slower depending on the tempo of our music. improved interface. Vibrato in all joints with the controller CC11 expression. The driver Speed has the midi learn feature with the right mouse button to assign it to any controller on your keyboard or Daw. Notes: To use the articulations, use the mod wheel. Sample-pack with over 2000 red hot commercial electro house samples. Made by Andreas Hinz, Jens Gimborn and Tobias Kramer.

Owners of Volume 1 will know what quality is awaiting them in this sample pack! Vengeance Electrcshock Vol.2 is a continuation of the successful Electroshock series and contains over 2000 red hot Electro and Club samples for professional productions of the highest order. With this sequel Andreas Hinz, Jens Gimborn & Tobias Kramer deliver a superb collection of modern and trend setting Electro Sounds that cover every popular club music genre such as Electro House, House, Techhouse, Minimal or Commercial Dance.

As a bonus Electroshock Vol.2 contains an extensive collection of fresh sounds from the trend genre 'Dirty Dutch'. Thus you can find here not only a multitude of essential and specially mixed basis sounds which give every production a professional foundation but also futuristic and until now unknown sound creations, crazy FX and modern Synth Riffs. To allow quick and uncomplicated implementation you will also find a collection of Sample Kits that are specially matched to the various genres giving an excellent base to any new production! The use of the WAV format makes this CD suitable for both PC and Mac users. FACTS Vengeance Electroshock vol.2. over 2300 high quality samples made by Andreas Hinz, Jens Gimborn and Tobias Kramer. all loops at 128 BPM and precisely cut.

all tonal sounds / Loops with exact root key. optimized for absolute 'club-coolness'. reasonable sorted in categories like CL Hihats, OP Hihats, Ride etc. usable for all other dance and house genres. contains 'ready to use' special matched sample kits Download.

4Front Truepianos VSTi.AU.RTAS v1.50 MacOSX UB - ArCADE 319 MB TruePianos VSTi was designed with exactly this in mind giving the inspiration an instant GO as soon as you touch the keyboard. Following the tradition, we have optimized the instruments for a real-time performance. The CPU usage is low even for 96khz host sampling rates, and for advanced polyphony we support dual-core CPUs, spreading the load symmetrically. TruePianos has multiple modules and offers an intuitive control to match your playing style. The full version of TruePianos currently contains five piano modules with a multitude of presets, and also comes with one year of free upgrades and e-mail support.

Within the support period our customers are also entitled for all additionally released TruePiano modules, free of charge. Zero-G The Big Reason WAV REX2 REASON DVDR TEAM DYNAMiCS 2.95GB Zero-G THE BIG REASON - 7 Fantastic Brand New Sample Libraries Rolled into One! Zero-G's The Big Reason is seven brand new sample libraries, over 6500 samples and over 4Gb of material, all for the price of one library.

The Big Reason is a sample library packed full of loops, instruments, pads, effects and much, much more, all programmed for use with Propellerheads Reason (and other REX/WAV-compatible software) as REX2, NN-19, NN-XT, Re-Drum, Malstrom, Subtractor and WAV files. Covering almost every contemporary music style including Dance, Funk, Urban, Ambient, Leftfield and Ethnic and with over 6500 samples to choose from you will always find something to stimulate your creativity. The seven new, exciting libraries in this package are: Binary Finary - a dance music library from the dance maestros themselves. Chemical Comedown - pads, fx and soundscapes that create a journey into sound. G-Funk Era - an awesome collection of dancefloor funk-ed up essentials Guitar Lab - electric & acoustic guitar licks, riffs, notes and chord patterns from a top sessionist. Organic Chemistry - other-worldly, exotic, unexplained, alien & avant-garde sounds. Percolated Beats - live drumloops from top urban music session drummer Richie Spaven.

Planet Bliss Loops - over 700 brand new beats suitable for all kinds of dance music.and because we don't want to upset any non-Reason users out there we have left all the files unpacked so anyone can access these wonderful samples and use them in their favourite software. Contents include:. 4.2Gb of samples. over 3300 Rex2 Files.

over 3300 Wav Files. 520 NN-XT Patches. 490 NN-19 Patches. 57 ReDrum Kits. 50 Malstrom Patches. 47 Subtractor Patches.

Vienna Symphonic Library Clarinet Eb (Wav/KONTAKT) 668MB The clarinet is the most recent addition to the woodwind family (flute, oboe, bassoon, clarinet) and was the last woodwind instrument to be integrated into the symphony orchestra. The clarinet in Eb is a sopranino clarinet and at 49 cm is a little shorter than the commonly used clarinet in Bb and as a result has a higher pitch. Vienna Symphonic Library Tenor Saxophone (WAV/KONTAKT) 466MB The classical Swing big-band ensemble includes 5 saxophones: 2 Alto, 2 Tenor and 1 Baritone saxophone. The transposing Tenor saxophone in Bb covers the middle range. Its sound can be very raw and “dirty”. Stan Getz is one of a large number of well-known players of this instrument.

The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from sensitive to aggressive, from whispering to screaming, exploiting the full dynamic range of these instruments. With the new Native Instruments effect, The Mouth, sounds go in and different sounds come out. Like the company's former release, The Finger, The Mouth (Mac / Win) is a playful, creative tool designed to help you manipulate audio signals and get some interesting effects. Created by British artist and musical prankster Tim Exile for Native Instruments, The Mouth is an effect that can generate melodies and sounds based on any audio material that you feed it. According to NI, you can sing, beatbox, or send a drum loop into it and The Mouth comes to life as a tweakable synthesizer, bass, vocoder, or talkbox-like effect.

Using The Mouth's interface, you can customize and shape the effected sounds as you go. Apple Jam Pack 4 Symphony Orchestra for iLife DVD2 OSX DYNAMiCS 2.91 GB From the garage to the philharmonic. With a symphony orchestra in tow, you just may have to spring for bigger quarters. But if you’re planning to conduct your own orchestra, you’ll want better acoustics anyway. Using Jam Pack 4: SymphonyOrchestra and GarageBand (or Logic Express 7, Logic Pro 7), there are virtually no limits to the types of sophisticated music you can create. Taking advantage of the prerecorded Apple Loops (more than 2,000 in Jam Pack 4), you can compose everything from classical music to movie soundtracks.

Or you may want to lend some symphonic power to your pop, rock or hip-hop arrangements. Symphony Orchestra also provides you with more than 30 of the most important orchestral software instruments to play, including: Strings. In your orchestral string section, you’ll find first and second violins, violas, cellos, double basses and a concert harp, as well. And thanks to GarageBand, you can control not only the dynamics and expression of each instrument but such articulations as staccato, tremolo and trills, as well. Brass & Winds.

The ever-popular woodwind and brass sections include flutes, oboes, lovely French horns, trumpets, trombones and tubas, among others. Play any as solo instruments or, for a richer sound, as an entire section. You can even control the playing style of individual instruments. Now’s your chance to play a wide selection of percussive elements: bass, snare and field drum; cymbals, gong and bells; the woodblock and still others. You can also try your hand at a full range of pitched percussion instruments, including timpani, celesta, xylophone, marimba and the glockenspiel. Your Symphony Orchestra also comes with new keyboard instruments, as well. They includes a Steinway grand piano, harpsichord and a heavenly church organ.

Sonivox Fender Telecaster VSTi RTAS PC v2.0 211 MB Fifty years and counting and the Telecaster is still going strong. Just like our Fender Strat, you'll love this guitar for its sheer versatility and playability but there's only one guitar in the world that has that authentic Tele twang.

Check it out for yourself; whether your bag is rock, blues, country, r&b, or soul you'll want to tuck into this tasty tone platter and get good 'n' greasy. Mighty Tele twang, featuring: Mutes & Tones: 7 velocities; 2 mute, 3 pick, and 2 finger snap velocities Chords: Mutes and Up & Down Strums for Major, Minor, Suspended 4th, Dom7, Minor7, and Seven Sus4 chord shapes. SATV Vintage Saturator v1.6 SATV is analogue modelled saturation plug-in that can add harmonic depth and richness to any material, from individual instruments to multi-track drum kits. In group mode, SATV allows you to effortlessly shape the harmonics and dynamics of your whole mix. EQ2V Vintage Equalizer v1.4 The EQ2V, is a vintage styled equalizer that recreates the presence, clarity and colour of classic analogue designs. 2nd and 3rd order harmonic color increases with output level and eq gain, adding a rich harmonic depth and warmth to any material.

CP2V Vintage Compressor v1.7 The vintage styled CP2V, is a track and program compressor that captures the smoothness and harmonic richness of analogue circuits, in an easy to use package. Turning the Compression control gradually increases the compression ratio while lowering the threshold. The Drive control can then be used to boost the output level and add saturation to the compressed signal. Meldaproduction Mmastering Bundle VST 1.07 44 MB MeldaProduction mastering bundle contains revolutionary technologies, which give you the power to master your recordings quickly, easily and with astonishing results. Crystal clear sound and minimal noise level is standard in MeldaProduction. Most of the plugins are so fast, that you can use it for general purposes too.

MeldaProduction mastering bundle contains revolutionary technologies, which give you the power to master your recordings quickly, easily and with astonishing results. Crystal clear sound and minimal noise level is standard in MeldaProduction. Most of the plugins are so fast, that you can use it for general purposes too. Here in MeldaProduction we specialize in hi-tech supermodern technologies available nowhere else. MMasteringBundle does not contain simulations of vintage analog devices.

Our plugins are not clones, they move the technology forward! And the price is more than affordable! The question is only “Do you want to join the new world of audio processing”? Cakewalk Perfect Space VST 1.4 & Acousticas IR 272MB + 50.5MB Perfect Space is a native audio VST plugin which allows you to use convolution reverb impulses in your audio projects. Perfect Space was mainly created for impulse reverb perfectionists: it does not implement various `combo’ approaches which try to save CPU cycles by creating a synthetic reverb tail instead of performing a full convolution.

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Because such approaches in many cases give unsatisfactory results if you expect them to sound exactly like your original reverb impulse sounds, we have decided not to use them. Instead, we have optimized to the maximum both the efficiency of convolution processing and the plug-in’s latency. 2 Harmonic oscillators offering 11 waveforms each with phase modulation, ring modulation, sync and a noise oscillator. Complex filter with 13 types of filters and x-y grid for cutoff and resonance. 8 dedicated envelopes to selected targets with 7 types of velocity curves.

2 BPM synced LFOs with phase modulation. Portamento with re-triggering, pitch bend amount, MIDI channel select and master BPM. 3 different forms of distortion. Velocity sensitive controls with keyboard tracking of phase modulation and distortion with master volume and boost controls. Unique pull down 32 stage sequencer offering piano grid style editing and complex algorithmic arpeggiator along with volume and cutoff control for each stage.

4 different effects: Chorus, Phaser, Stereo delay, Digital reverb. Dedicated vibrato for modulation wheel.

On board click and learn help system. Preset information display. 128 presets by Boris K, David Haupt, Dr.

Ambient, and Tim Conrardy. Synapse Audio DUNE VSTi 1.2 x86/x64 MERRY XMAS 10MB DUNE is a subtractive/virtual-analog type synthesizer which introduces new, innovative features.

The differential unison engine (DUNE) takes the concept of subtractive synthesis to the next level, by allowing full control of each unison voice. This greatly extends the range of possible sounds, reaching deep into FM and Wavetable synthesis. Whether you’re looking for lush pads, fat basses, punchy kicks, cutting leads, multi-layered pads and textures, complex FX sounds or morphing – anything is possible in Dune. Features:.

The differential unison engine (‘Dune’), giving extensive modulation abilities. A strong synthesis core housing alias-free oscillators and warm, analog-sounding filters.

An innovative arpeggiator, with a creative mode that facilitates composing new melodies. Vast range of possible sounds, not only covering analog type sounds, but also FM, Wavetable synthesis and completely new realms.

A high-quality effect unit including Reverb, EQs, Delay, Phaser, Flanger and Chorus. Two factory banks filled with patches made by experienced sound designers. Integrated patch browser and patch categories like Bass, Lead, Pads etc. For fast searching.