Release Date: 12/21/18 Fat Beats Records is proud to present the ninth installment of Baker’s Dozen, an exclusive vinyl series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. Each installment gives one artist carte blanche to capture their signature sound. Every volume’s strictly limited vinyl pressing features one artist and twelve tracks, with the thirteenth track - the eponymous “baker’s dozen bonus” - on a flexi disc. The LPs also come equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their music-making process.

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Visually cohesive and packaged with the utmost attention to detail, Baker’s Dozen is a series that speaks up for artists whose craft renders voices superfluous, whose instrumentals alone suffice to make a statement. When I finished school in 1999 I didn’t really know what to do with my life. I had just bought my first computer and was killing time by playing games and smoking weed. One day an old friend came by and brought a cracked version of Sonic Foundry Acid. He said: ‘You can make music with this software!’ Of course back then I didn’t realize it, but this was a life changing moment for me. I used this music program for many many years - 17 years to be exact. It became the tool that enabled me to express myself creatively and to do what I love the most: making beats.

Both my setup and my creative process have changed a bit since then, but basically it’s the same procedure as back in the day. It usually starts with a few chords, a nice rhythmic loop and some drum bits.

The rest happens by itself. I remember visiting the Fat Beats store in New York City in 2004. I was a massive fan.

To finally enter the holy halls was a huge deal for me. I was was soaking up the atmosphere dreaming about a future as a producer. Who would have thought that I would ever put out a record with these guys! I feel honored to be part of the Bakers Dozen series and its outstanding list of producers. Release Date: 12/14/18 Deluxe edition anniversary vinyl comes packaged in a gold-foil-stamped, black canvas-wrapped hardcover book including a 38-page full color children’s book written by Slug and full album lyrics, as well as double gold-colored vinyl housed in metallic gold pockets, black dust sleeves, and lemon-scented LP labels.

Is edition is hand numbered and limited to 3000 pieces, with a free digital download card containing over an hour of live footage and extras. Originally released April 22, 2008, When Life Gives You Lemons, You Paint That Sh!t Gold was met with critical acclaim, debuting at #5 on Billboard's Top 200 chart and scanning over 36k units in its first week of release. By this time, Atmosphere had already grown into one of the most accomplished MC/producer duos in independent Hip-Hop, with a half-dozen official full-length albums under their belt, along with a dozen more limited tour albums, EPs, and various side projects, altogether amassing well over a million units sold. While Ant's ASR-born beats had grown increasingly melodic and musical, Slug's name had become synonymous with introspective raps, and together, they'd galvanized a faithful following. However, the thing that set When Life Gives You Lemons apart from previous releases was that it reflected a pivotal shift in Atmosphere's songwriting processes, where they transitioned from self-reflective to broadly narrative.

Rather than expressing stories from their own POV, Lemons was based entirely on fictional stories and characters, addressing societal issues at large, some of which revolved around themes of parenthood–perhaps foretelling of their future founding of 'Dad Rap'. Now, in honor of its tenth anniversary, When Life Gives You Lemons has been re-packaged into two vinyl LP editions–the standard anniversary edition and the limited deluxe anniversary edition–both of which feature custom packaging details. Release Date: 1/25/19 Earl Sweatshirt is ready to step back into Hip Hop's spotlight. The reclusive MC has announced a new album titled Some Rap Songs, which is scheduled to drop on November 30. The Los Angeles rapper and former Odd Future member will release his third album. Some Rap Songs will be the acclaimed artist's first album since 2015's I Don't Like Shit, I Don't Go Outside. The upcoming LP addresses the death of his father, South African poet laureate Keorapetse Kgositsile, who passed away earlier this year.

'Me and my dad had a relationship that's not uncommon for people to have with their fathers, which is a non-perfect one,' Earl said in a press release. 'Talking to him is symbolic and non-symbolic, but it's literally closure for my childhood. Not getting to have that moment left me to figure out a lot with my damn self.' Release Date: 1/18/19 Die cut 12” gatefold jacket with matte uv finish, custom blue colored vinyl, 4-panel LP size insert containing full album lyrics, and perforated pop out wearable mask with elastic string and free digital download card. Aesop Rock has been credited as one of the most verbose MC's in Hip-Hop today. Known for his dense and abstract wordplay, he manipulates language to illustrate elaborate stories and difficult concepts with sharp clarity.

Tobacco is a member of psych-electronic band Black Moth Super Rainbow. Known for working with pre-digital electronic instruments like analog synths and tape machines, he crafts distorted, experimentalist beats that intertwine feelings of tension and anxiety with sensations of bemusement and pleasure. Together, Aesop Rock and Tobacco are. Release Date: 12/7/18 This deluxe collector’s edition features the variant cover printed directly on the front and will also include color double vinyl. Includes both a limited edition of the comic book that originally featured the cover artwork as well as a 3D lenticular print of the Marvel art. This Marvel variant cover was designed by Denys Cowan (pencils), Bill Sienkiewicz (inks) and Chris Sotomayor (colors) and recasts Contest of Champions as GZA’s cover art for the classic Liquid Swords album.

The critically acclaimed album was released in November 1995 and was mostly done within a year at fellow Wu-Tang Clan member and producer RZA’s basement studio in Staten Island. Liquid Swords features guest appearances from the entire Wu-Tang Clan. Release Date: 1/18/19 Red vinyl, limited to 500 units. One of the seminal underground hip-hop albums of the past twenty years, Violent By Design has been digitally remastered and is now presented in the original Babygrande Records album jacket with collector's edition clear vinyl as well as a very rare, limited edition red vinyl set (first time ever)!

An out-of-print gem for the past several years, this vinyl version of Jedi’s breakthrough album will thrill die-hard enthusiasts and collectors alike, while allowing Jedi’s rapidly expanding fan base to discover this definitive version of the underground classic. Release Date: 2/1/19 After more than 20 years since The Soul Assassins Chapter 1, DJ Muggs drops the long awaited sequel - Dia del Asesinato. Like previous Soul Assassins projects, Muggs features a slew of legends including MF Doom, Raekwon, and Kool G Rap, balanced with a crop of today’s top rhyme spitters including Freddie Gibbs, Meyhem Lauren, Mach-Hommy, and Eto.

Many of the guest MC’s make multiple appearances, different from previous Soul Assassins projects which featured unique guests per track. However, the extra reps from Raekwon, Kool G Rap, MF Doom, Meyhem Laruen and Mach Hommy present the opportunity to flex their lyrical muscle on a variety of signature Muggs production. Release Date: 1/18/19 Second pressing ships week of January 18th, 2019. MASTA ACE & MARCO POLOA BREUKELEN STORY On 2007’s “Nostalgia,” a memorable track off Marco Polo’s album, Port Authority, chemistry between Polo and guest MC Masta Ace is easily heard and felt. What was a quick one-off collab was not only a reminder of Masta Ace’s timelessness, but it was also the impetus for a larger, more fleshed out concept between the Toronto beatsmith Polo and the legendary MC. The pair since formed a duo and the result is a powerfully evenhanded project, A Breukelen Story.In 2018 we find hip-hop’s storied journeyman, Masta Ace, at the helm of another sharp, tightly wrought project.

He’s traversed hip-hop’s ever-changing landscape for nearly three decades, navigating different eras while expanding his already extensive catalogue. From his formative work with the legendary Juice Crew, to a bombastically renowned stint with Delicious Vinyl, it’s hard to find a more humble master of ceremony than Ace—even harder is finding another figure whose work is equally embraced on both coasts, East and West, as well as abroad.Despite amassing 7 solo albums, 5 collaborative projects and countless additional one-offs, Ace is still trying to show and prove, still moving the needle forward for himself, his fans, and his career. Says Ace: “My goal on A Breukelen Story was to do more lyrical stuff. I’ve done a lot of concept songs, and a lot of topical records, but I made a point to put a couple straight rhyming joints on here to remind dudes I can still do this.”“I met Masta Ace for the first time while interning at Cutting Room studios in Manhattan,” says Marco Polo, longtime Canadian producer whose exploration of samples and boom-bap aesthetics certainly suite his moniker. “Ace came in for a session in the studio years and I introduced myself and gave him a beat CD.” While Polo was a young intern on the rise, he quickly worked the situation to his advantage, eventually producing for giants he grew up admiring— Kool G Rap, Large Professor, Scarface, Sean Price, Black Thought, Talib Kweli, to name a few.Polo is not new to forming quality collabs with others in the art form, with notable stints on the aforementioned Port Authority as well as it’s follow up, PA2, and others like 2016’s work with young MC, A-F-R-O, fittingly titled A-F-R-O Polo. Yet out of Polo’s previous collaborative efforts, this one stands out and is a bit more special, according to Polo: “Ace does not like to write random songs, its usually conceptual and topical,” he says.

“But we do have some straight spitting joints on A Breukelen Story which is what makes this album possibly the most diverse of all of my collaborative albums.”The random meeting and a beat CD resultantly birthed A Breukelen Story, a collaborative release between the venerable veteran and an incredibly detailed and prolific producer. 14 tracks with pronounced guests (Pharoahe Monch on “The Fight Song” for example) all strewn together through Ace’s signature skits and interludes that frame the music and while telling the story of Polo manifesting his vision of being an NY transplant via Toronto while pursuing his dream of being a renowned record producer. Other guests range from younger MCs like Marlon Craft to spry OGs like Lil Fame (of M.O.P.), to Smif ‘n’ Wessun, to Styles P (of the Lox) Polo’s pastiche style boom-bap is the drum-driven centerpiece that perfectly couches Masta Ace’s thoughtful stanzas and vivid storytelling for this effusive Brooklyn narrative. Grab all four of the new 7's from the label 'Paul Institute' founded by Jai Paul, A. Paul and Muz Azar in a bundle, at a discounted price while supplies last!

ABOUT PAUL INSTITUTEFounded by Jai Paul, A. Paul and Muz Azar, artist support initiative the Paul Institute unveiled A. K.’s solo debut Landcruisin’ in 2016 to considerable acclaim. In 2017 they released a double-A-side from Fabiana Palladino and Ruthven, announced by text message and accessed by fans worldwide on the distinctive paul.institute website. The songs reached Nos 1 and 2 on the Spotify UK Viral 50 and received praise and support across both web and UK national media including in the Guardian, The Observer, and BBC Radio 1.

Fabiana Palladino - Shimmer 7' Shimmer is Fabiana Palladino’s first self-produced track, following on from 2017’s celestial collaboration with Jai Paul, Mystery. This latest single is an anthem written for anyone who feels like they’re being underestimated - a reminder to stand up for yourself! HIRA - Red Light Drive 7'A new artist to the Paul Institute, HIRA was first introduced to the world with his embryonic Eve EP. Red Light Drive is a cyberpunk symphony set in that night club in Strange Days.

That bass sound is a copper/silver ’99 hayabusa ripping a tunnel and those harmonies are every colour in Cyber City Oedo 808. Reinen - Masquerade 7'Wayward newcomer REINEN cordially invites you to revel in a ballroom time trap, with the bombastic head spinner Masquerade. A trigonal tale inspired by Red Curtain Cin- ema & Gothic Romance; REINEN sways and bends the boundaries of theatre, fantasia and soundscape in a combustible marriage of baroque synths, electric operatics and pul- sating groove.

A unique alliance with shapeshifter A. Paul dares to immerse and paint scenes of worlds uncharted. Ruthven - Hypothalamus 7'Ruthven returns following last year’s heavyweight funk jam Evil (Paul Institute).

With a sense of greater maturity in his songwriting, Hypothalamus is an epic and impassioned song about an impending break-up. Ruthven shares the Paul brothers’ penchant for experimentation and an appreciation for classic pop, manifest here in production which features brooding synth riffs and an altitudinous electric guitar solo from A. Release Date: 1/18/19 The lives we lead can feel like a simulation as the line between our reality and augmented futures continues to blur. Following the ever-emotive Boo Boo, Toro Y Moi’s new album Outer Peace is a time capsule that captures our relationship to contemporary culture into one comprehensive, sonic package. Shortly after the release of his 2015 record What For?, Toro Y Moi (also known as Chaz Bear) packed up his belongings, leaving the comfort of his Oakland base for the relative solitude of Portland to write Boo Boo. Apart from the familiarity of his surroundings, Bear focused on what would become his next sonic statement. In doing so, he was struck by the reign that technology holds over our day to day lives and its ability to obscure the consumption of creativity.

His change of environment resulted in freedom from disturbances and, in those quiet and tranquil spaces, the creation of music acted as a protest in favor of peace. Having now moved back to Oakland, Bear’s new record Outer Peace is a response to the lessons gleaned while making Boo Boo — a response to the expendable state of art that is a product of instant gratification.

Bear’s ingenuity reveals a multifaceted expression of his universe on this record. It’s the space between the accessible and unconventional where he invites us to experience Outer Peace, which is rooted in finding peace in antithetical conditions: being stuck in traffic, hustling for your next check as a freelancer and all other chaotic moments in life that require digging beneath the surface to find solace. As both a producer and designer, Bear utilizes abstract sound pairings with recognizable samples for his most pop influenced record to date.

This is no departure from his funk and disco roots, which can be heard on “Ordinary Pleasure”, later fusing into variations of house with tracks like “Freelance” and “Laws of the Universe.” Smooth interludes melt into fast paced beats, paralleling the feeling of driving through the Bay Area, where Bear spent most of his time writing the album. Outer Peace is duality.

It embodies whatever form you choose to inhabit in the moment. Listen and let your imagination become the universe. Release Date: 11/23/18 Long out-of-print classic album from renowned duo Cannibal Ox. Includes 2 LPs of bonus instrumental versions of the album. White vinyl limited to 500 copies. When Vast Aire, Vordul Mega, and producer El-P created Cannibal Ox’s seminal debut The Cold Vein, few could have foreseen the musical dexterity that would have been embodied on this now classic release. Upon it’s release, Pitchfork exclaimed, “The Cold Vein is going to be on everybody’s year end list of the best underground hip-hop.” Not only was this prediction correct, but The Cold Vein would go on to be cemented as a classic album, earning spots on numerous top album lists of that year and even top album lists of the decade. With undeniable production and word play that Stylus Magazine declares shows “the potential for hip-hop lyrics to work on many levels as the finest English poetry,” it’s no wonder that fans, new and old cannot get enough of The Cold Vein. After years of being out-of-print and pent-up demand, the group is giving the fans what they want by reissuing their magnum opus.

For the first time ever, the album will be digitally remastered so listeners can experience the witty metaphors of Vast Aire and Vordul Mega over the instrumentation of El-P like never before. The album will also be released as a white 4XLP set and for the first time ever as a blue 4XLP set as well, including a bonus instrumental version of the album. Release Date: 11/23/18 Colored edition boxset. First LP on Transparent Blue + White vinyl, second LP on Opaque Blue + Black/Glow in the Dark Green Splatter vinyl, third LP on orange and white vinyl. What’s Wrong With Bill? Is the debut solo album from Non Phixion front man ILL BILL. The album is entirely produced by Bill’s brother Necro and features Goretex, Sabac, Q-Unique, Necro, Mr.

Hyde and Uncle Howie. Originally released in 2004, WWWB has long been out of print on vinyl and CD. Box set reissue contains 3 pieces of colored vinyl, bonus 7 inch of “Gangsta Rap/How To Kill”, 24x24 poster of cover art designed by comic book artist Paul Gulacy and a 24 page 10x10 booklet with lyrics and pictures. Long before ILL BILL was a part of La Coka Nostra or Heavy Metal Kings he emerged with his crew Non Phixion during the 90s indie explosion in NYC. What’s Wrong With Bill? Was Bill’s first step away from Non Phixion establishing himself as a prominent solo artist.

Release Date: 11/23/18 Bay area based hip-hop collective Hieroglyphics have had a global impact across the musical landscape. Celebrating the 20th anniversary of their debut album as a group, Third Eye Vision, the crew is celebrating their storied career and their ubiquitous logo with a picture disc EP featuring their classic triple eyed symbol. “When I invented that symbol, I never thought it would get this big,” Del the Funky Homosapien said.

The EP will include vocal/instrumental and acapella versions of the singles “The Who” and “After Dark” along with original artwork. Release Date: 11/23/18 In 2004, veteran MC Edo G and legendary producer Pete Rock combined for a golden era classic, My Own Worst Enemy.

Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment in a full color 2XLP with full album instrumentals. Just Call My Name Ft. Streets Is Callin’ Ft. Diamond D & Jaysaun 6.

Pay The Price Ft. Krumb Snatcha and Jaysaun 10.

Revolution 11. Boston (Instrumental) 12. Just Call My Name (Instrumental) 13. Voices (Instrumental) 14. School’em (Instrumental) 15. Streets Is Callin’ (Instrumental) 16.

Pay The Price (Instrumental) 17. Wishing (Instrumental) 18. (Instrumental) 19.

Stop Dat (Instrumental) 20. Revolution (Instrumental). Release Date: 12/21/18 Grammy-nominated singer/songwriter Aloe Blacc will release his first holiday album, Christmas Funk featuring eight original songs written by Blacc, and two classic cover songs by Wham! And Mariah Carey. Christmas Funk is the type of holiday album I have been waiting to hear for a long time,” says Aloe.

“These new song concepts and stories are my interpretation of the time I spend with family and friends. I’ve been a fan of Motown and soulful Christmas songs since I was a young child. As much as I love Sinatra and Nat King Cole, I feel like the holiday spirit needed a funky revival. The eight new original songs are a perfect complement to the extra funky versions of two undeniable holiday classics, ‘All I Want For Christmas Is You,’ and ‘Last Christmas.’ I chose to cover these songs because the world deserves to feel the funk.”. Release Date: 12/7/18 Limited Pressing Exclusive to Fat Beats and Redefinition Records, will not be sold in any other store. Almost 40 minutes of quality Instrumental compositions created by one of the genre's very best producers.

By popular demand, Damu the Fudgemunk's latest effort is the instrumental component to Dreams and Vibrations. Entitled, Victorious Visions, the producer specially repackaged 7 tracks in their instrumental glory to the requests of his fans (Program Length: 37 Minutes).

Known for his extensive career as a beatsmith, the use of his trademark MPC2000 and the iconic SP1200 in this collection is a standout in his catalog. Expect nothing but the best from the Fudgemunk. Exclusive to Redefinition Records and Fatbeats.com, the limited vinyl run will only be sold at these retailers. Widely available for the first time in forty-five years, featuring ‘It’s A New Day’, one of the most sample breaks in history. Official Mr Bongo reissue.Record collectors, producers and crate diggers like a good creation myth, and Skull Snaps’ self-titled ‘debut’ had it all.

A mysterious funk trio, who recorded one album under a curious name, housed it in a sleeve that looked more like a proto-metal album, and released it through a label (GSF Records) that folded shortly afterwards? Everything pointed towards the Skull Snaps album as a single totemic object, packaged in a way that predicted its own disinterment almost twenty-five years later.For those who sampled it, myth maintenance was advantageous, both for their reputations and for their consciences. Likewise, an unsanctioned 1995 reissue on Charley Records removed the credits from the inner sleeve to further sever the record from its context - or perhaps because the label couldn’t quite face using the names of artists they had no intention of paying. Either way, owning the record was a right of passage, as Amir Abdullah once wrote: “If you don't have Skull Snaps in your collection, your collection is weak.' Release Date: 11/9/18 MASTA ACE & MARCO POLOA BREUKELEN STORY On 2007’s “Nostalgia,” a memorable track off Marco Polo’s album, Port Authority, chemistry between Polo and guest MC Masta Ace is easily heard and felt.

What was a quick one-off collab was not only a reminder of Masta Ace’s timelessness, but it was also the impetus for a larger, more fleshed out concept between the Toronto beatsmith Polo and the legendary MC. The pair since formed a duo and the result is a powerfully evenhanded project, A Breukelen Story.In 2018 we find hip-hop’s storied journeyman, Masta Ace, at the helm of another sharp, tightly wrought project. He’s traversed hip-hop’s ever-changing landscape for nearly three decades, navigating different eras while expanding his already extensive catalogue. From his formative work with the legendary Juice Crew, to a bombastically renowned stint with Delicious Vinyl, it’s hard to find a more humble master of ceremony than Ace—even harder is finding another figure whose work is equally embraced on both coasts, East and West, as well as abroad.Despite amassing 7 solo albums, 5 collaborative projects and countless additional one-offs, Ace is still trying to show and prove, still moving the needle forward for himself, his fans, and his career. Says Ace: “My goal on A Breukelen Story was to do more lyrical stuff. I’ve done a lot of concept songs, and a lot of topical records, but I made a point to put a couple straight rhyming joints on here to remind dudes I can still do this.”“I met Masta Ace for the first time while interning at Cutting Room studios in Manhattan,” says Marco Polo, longtime Canadian producer whose exploration of samples and boom-bap aesthetics certainly suite his moniker.

“Ace came in for a session in the studio years and I introduced myself and gave him a beat CD.” While Polo was a young intern on the rise, he quickly worked the situation to his advantage, eventually producing for giants he grew up admiring— Kool G Rap, Large Professor, Scarface, Sean Price, Black Thought, Talib Kweli, to name a few.Polo is not new to forming quality collabs with others in the art form, with notable stints on the aforementioned Port Authority as well as it’s follow up, PA2, and others like 2016’s work with young MC, A-F-R-O, fittingly titled A-F-R-O Polo. Yet out of Polo’s previous collaborative efforts, this one stands out and is a bit more special, according to Polo: “Ace does not like to write random songs, its usually conceptual and topical,” he says. “But we do have some straight spitting joints on A Breukelen Story which is what makes this album possibly the most diverse of all of my collaborative albums.”The random meeting and a beat CD resultantly birthed A Breukelen Story, a collaborative release between the venerable veteran and an incredibly detailed and prolific producer. 14 tracks with pronounced guests (Pharoahe Monch on “The Fight Song” for example) all strewn together through Ace’s signature skits and interludes that frame the music and while telling the story of Polo manifesting his vision of being an NY transplant via Toronto while pursuing his dream of being a renowned record producer. Other guests range from younger MCs like Marlon Craft to spry OGs like Lil Fame (of M.O.P.), to Smif ‘n’ Wessun, to Styles P (of the Lox) Polo’s pastiche style boom-bap is the drum-driven centerpiece that perfectly couches Masta Ace’s thoughtful stanzas and vivid storytelling for this effusive Brooklyn narrative. Release Date: 12/7/18 Producer and founding member of Cypress Hill, DJ Muggs and NY’s finest, Roc Marciano announce they have joined for a collaborative album titled KAOS set for release via Soul Assassins Records.

KAOS is a 10-song score made to soundtrack an upcoming feature film coming in Spring 2019. The film follows two childhood friends, Muggs and Roc Marci, who were brought up in different areas of New York: Hempstead, Long Island and Flushing, Queens. After a significant amount of time spent apart, they are reunited after Muggs serves out a 10-year prison bid.

With hopes to rule the streets once again, the duo act out in ‘kaos’ towards anyone who tries to get in their way. Release Date: 11/23/18 What’s Wrong With Bill? Is the debut solo album from Non Phixion front man ILL BILL.

The album is entirely produced by Bill’s brother Necro and features Goretex, Sabac, Q-Unique, Necro, Mr. Hyde and Uncle Howie. Originally released in 2004, WWWB has long been out of print on vinyl and CD. Box set reissue contains 3 pieces of colored vinyl, bonus 7 inch of “Gangsta Rap/How To Kill”, 24x24 poster of cover art designed by comic book artist Paul Gulacy and a 24 page 10x10 booklet with lyrics and pictures.

Long before ILL BILL was a part of La Coka Nostra or Heavy Metal Kings he emerged with his crew Non Phixion during the 90s indie explosion in NYC. What’s Wrong With Bill? Was Bill’s first step away from Non Phixion establishing himself as a prominent solo artist. Release Date: 11/23/18 In 2004, veteran MC Edo G and legendary producer Pete Rock combined for a golden era classic, My Own Worst Enemy.

Just Call My Name Ft. Streets Is Callin’ Ft. Diamond D & Jaysaun 6. Pay The Price Ft.

Krumb Snatcha and Jaysaun 10. Revolution 11. Boston (Instrumental) 12. Just Call My Name (Instrumental) 13. Voices (Instrumental) 14. School’em (Instrumental) 15. Streets Is Callin’ (Instrumental) 16.

Pay The Price (Instrumental) 17. Wishing (Instrumental) 18. (Instrumental) 19. Stop Dat (Instrumental) 20.

Revolution (Instrumental). All Praises Due is a collaborative project from veteran MC – Torae and producer Praise.

The duo teamed up to create the seven song EP which highlights the best of their combined talents. True fans know this has been long in the works and was even teased on “Shoutro” from Torae’s 2016 album Entitled.

Torae has been busy since 2016 filming six commercials, a movie and a television series with VH1. In that time he also joined Diddy’s Revolt television network and hosted the revamped “Freestyle Friday” with BET. All without missing a beat on his nationally syndicated radio show “The Tor Guide” six days a week. Praise has also been grinding, racking up production credits with artists like Pharoahe Monch, BJ the Chicago Kid, Joyner Lucas and more. You can even hear his hard hitting drums and infectious bass lines on recent EA Sports – “NBA Live” video games. Detroit producer Apollo Brown has made a name for himself as one of Hip-Hop’s most legendary new producers while maintaining a golden era sound.

His production credits are a who’s who of Hip-hop greats from Danny Brown to Ghostface Killah, Ras Kass to Westside Gunn. Even Chance the Rapper used a pair of Apollo beats on his debut mixtapes. Known for bringing the best out of musicians, Apollo has a knack for making timeless classics. Brooklyn’s Joell Ortiz started on none other than Dr. Dre’s Aftermath label and built a huge buzz in the industry.

He’s worked with legends like Just Blaze among others. He then signed to Shady Records as ¼ of the supergroup Slaughterhouse. He’s worked with Hip-Hop titans Eminem, Busta Rhymes, Jadakiss, Akon, and Big Daddy Kane. Now the pair of Hip-hop luminaries have their first collaborative album on Mello Music Group. It’s nothing short of a masterpiece: Mona Lisa.

New Cassettes. High-Bias assorted color chrome cassette tapes recorded in real-time with full color J-Card in a clear Norelco Box. Play this record as frequently as possible. Then, as it becomes easier for you, play the record once a day, or as needed.

47 exclusive songs compiled by Allied Forces for Fuzzoscope. Cram - Do You Wanna Come In? Sleepy Eyes - Fishfry 02:06 3. L o k a!

- Think On//Lose 01:18 4. Illiam - Outer 01:36 5. Saxondabeesh 00:59 6. Dutchy - No Time to Be Sad 03:34 7.

K, Le Maestro - Nunca Mais 02:54 8. Sokro - Yunagi5G 01:16 9. Hann11 - Kumite 01:11 10. Tyler Brimley - Laura 02:12 11.

Zoomo - Pickitup. Jack - Front Yard (3AM) 01:23 13. Midori - Flying Easy 02:30 14. Axion117 - Finn 02:10 15.

Aqui Dela - Ocean. Junnagaosa - Da Spiritist 01:36 17. TV Blonde - Voicemail 01:56 18.

Dyelo Think - Mockingbird 02:41 19. Awlnight - Low Table 02:06 20. Graves - Neil 01:26 21. Zark - Lux 01:54 22. Pax - Somf 01:04 23. Metvlmouth - Nobody 01:07 24. Jay Curry - Strings for The Dramatic 02:03 25.

Vik - Gettin High 03:39 26. Yungmorpheus - Dro & $$$ 02:36 27. Knablinz - Sunrise (Morning) 01:16 28.

Elegy - Tellem 01:11 29. Suhm.else - U.Heard 00:52 30. Family Event - Victoria Lake 01:35 31. CY - Kmkmk 02:39 32.

Oxela - One for Ohbliv 01:42 33. Kaligraph E - Undulate 01:40 34. Freemanz Production - In My Dream 02:17 35. Magic DJ - J-Float 01:31 36.

Sumthin Gunny - Tru One 01:24 37. Redbeard - Treesoflife 03:06 38. Wiardon - Doeordie. Bobbitopickles - Rosas 00:58 40. Tomppabeats - Hibby 01:08 41.

ΔKTR - Modern Creatures (Part 2) 04:28 42. Beautiful Disco - Farewellllluuuuuv 02:54 43. AshTreJinkins - Sour Gut 01:13 44. Supa83 - Part One 01:46 45. Uni Balance - Sweet, Tender, Love 01:46 46.

Repeat Pattern & Broke/ - Clap To This 02:06. Gossamer is Evan Reiner the Los Angeles based producer, guitarist, synthesizer scientist and urban-spelunking field recorder known for creating a bottomless sea of found sound and ambient soundscapes. His sophomore album 'Imperishable' is less an album than an environment all its own, or a journey into the unexplored. And whether it's inspiring a trip deep into the discography of Steve Reich or into California's beautifully desolate Ansel Adams Wilderness, it's that fearless spirit of exploration that brought Imperishable to life alongside some help from co-pilot Sonny DiPerri. DiPerri cut his teeth learning from one of the best - Trent Reznor & has since gone onto work with the likes of Animal Collective & Portugal The Man took an immediate liking to Gossamer's project & overall sound to help mix & Co-Produce Imperishable.

Release Date: 9/28/18 'The desert is a recurring theme in a lot of my music and art. Something about it – the contrast of what looks like desolation to the naked eye to the vibrancy that one sees upon looking closer, the silence that allows you to hear the faint sounds in the air, the formations that are colors you've never even heard of before, and night sky that serves as a backdrop for every star in our galaxy – are all elements that I wanted to echo in Death Valley. I wanted to create an album that people could listen to while they cruise through their desert, wherever or whatever that may be for them.' - Astronautica Astronautica is back with new music this year, scheduled to release Death Valley with Alpha Pup Records on digital and physical formats, August 24, 2018. Death Valley is the singer-songwriter's much anticipated follow-up to the critically acclaimed album, Gemini, and the recent Gemini Remixes EP. Written and recorded over the last three years, Astronautica captured Death Valley at her home studio in Los Angeles. This was completed around her Ace Hotel residency, festival dates through the States, a mini-tour up the West Coast, and a month-long stint with Low End Theory.

Like her past works, the new record captures the eclectic nature of LA's experimental electronic scene and the connections tethered into various cultures around the globe. Primary instrumentation utilized across Death Valley consists of guitar, Push, Launchkey, and Ultra Nova, with a template drawn from radiant harmonies, experimental overtones, Latin rhythms, and dance floor grooves. Astronautica's vocals trace through the music with an airy veil, spinning out ghost like tones that shimmer through the music with an elusiveness.

The feeling of adventure and mysticism is rooted into Death Valley that's unlike anything she's created before. Conceptually, Astronautica reimagined herself in various places of travel through the songwriting process, recreating the original vibes of each setting like a painter contextualizing the most impactful visions they've experienced. This approach takes the listener through their own journeys while giving latitude to provide a window into the essence of her own pathway. This duality of self-reflection and the outward extension to the listener makes this as personal of an album for Astronautica as much as it's a universal representative of humanities complex variations. 'A lot of the inspiration for my music stems from traveling to places that I've never been to before or places I continually go back to, and the feelings they evoke in me upon going there,' states Astronautica.

'I think with Death Valley, it truly is both an inward reflection as well as an extroverted sentiment. The vastness of the desert has always given me this feeling of awe, and Death Valley is my effort to capture that.'

Rays of warmth shine through the skies of Death Valley with the enveloping, third-eye intro “Sunrise.” Open-hearted “Reasons” wanders the desert wilderness in search of spiritual awakening. Bliss out on an unexplored island with “Racetracks,” a tonic lounge carved from indigenous beats and body-moving bass. Prismatic brightness bubbles up in “I’ve Never Been,” and “Can’t Remember” swirls around a memory glitch. Fireflies float through “California Roll,” a colorful sunset of a song that churns into a twilight vibe. Imbued with a surreal sense of freedom, “Mahogany” is a tropical vacation: palm trees in the breeze, foamy ocean swells, beach bonfires under the stars.

“You Should” roams over swift-footed curves and “Sunset” follows the road into a dust-faded dreamland. Vast, expanding, and always exploring, Death Valley transcends into a sacred space. It is that fleeting, glowing moment when everything feels okay. Astronautica has released music with Alpha Pup Records for five years, dropping her debut-full length Replay Last Night in 2013, and following up with the 2014's Waikiki EP and 2015's Gemini LP. Death Valley continues her fruitful journey as one of LA's most prominent and respected voices in the underground and finds the rising artist creating her best work to date. An accompanied merchandise line will launch with the release of Death Valley, along with a handful of tour dates around the US in support. Tales of sordid street escapades, drugs and fast women have been long running themes for Tucson, AZ’s Zackey Force Funk.

Though these are themes that have been explored to excess in music over the years, his psychedelic, acid-trip style has been what places him in another realm. Three quarters singing and one quarter rapping, the Force Funk sound has been well-established in the world of underground electronic music over the last decade.

With the arrival of his MoFunk debut album, Bodyrock Shotgun, ZFF is set to advance yet another level with melodic modern funk production that challenges him to expand his one-of-a-kind vocal style to new territory. Highlights include the XL Middleton-produced title cut, a slow-rolling, vocoder-laced tune that haunts as much as it thumps. Brian Ellis brings his signature brand of moody electro funk on “Glass Dick Lovin’,” a dark tale of love lost to drug addiction. “Money Weighs A Ton,” imported from the recent Boy Dude LP on Hobo Camp, slides seamlessly into the playlist with pulsating synths framing an unapologetic hustler’s manifesto. “El Mero Mero” (prod. By XL Middleton) stands as another declaration of street corner superiority, while “Get The Gun” serves as a self-explanatory footnote on how to keep said position, over Moog-y production from Adam Chini that is equal parts Blaxploitation and retro science fiction.

Further productions from Throwback Zack, Proh Mic, Trailer Limon, DJ Spy-D, and Elegant Borzoi form a veritable who’s who in the land of modern funk, and show Zackey’s superb ear for beat curation. Since bursting onto the scene in 2012, Brooklyn hip-hop collective Pro Era has sent shockwaves through the culture. Crew leader Joey Bada$$ has become one of rap’s biggest stars, and Pro Era artists like Kirk Knight, Nyck Caution, and CJ Fly have launched their own successful solo careers. Chuck Strangers has been a key member of Pro Era from the start, producing classic Joey Bada$$ tracks like “Daily Routine”, “FromdaTomb$” (which he was also featured on), “Summer Knights”, “My Yout”, “Escape 120”, “Rockabye Baby”, and more. A true double-threat who’s just as skilled on the mic as he is behind the boards, Chuck is poised as the next breakout star from the Era.

Now, the talented artist is announcing his highly-anticipated debut solo album, Consumers Park. Set for release on March 16th, the album features guest appearances from Joey Bada$$, Kirk Knight, and Issa Gold (of The Underachievers). Primarily produced by Chuck Strangers himself (with the notable exception of the lead single “Fresh” produced by Alchemist), Consumers Park is sonically masterful, with a heavy emphasis on raw, soulful vibes. This provides the ideal platform for Chuck to showcase his impressive rap skills, with vivid, nostalgic, witty, personal rhymes that perfectly capture the rising star’s ongoing journey from Flatbush to international hip-hop notoriety. Few artists are ever as controversial as they are influential. New York legend R.A. The Rugged Man has lived up to this billing by combining the authenticity of his undeniably rugged life with his undisputed mic skills.

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Now, two decades after his career began, R.A. Has improbably outlasted nearly all of his peers. Having been banned, forgotten, blackballed, and left for dead, the Rugged Man has somehow emerged in 2013 with a thriving career, a nonstop touring schedule, a die-hard fan base, and a new album that is sure to solidify his place as one of the most important figures in underground hip-hop. Featuring A-list guests like Tech N9ne, Hopsin, Talib Kweli, Brother Ali, Krizz Kaliko, Vinnie Paz, Masta Ace, Sadat X, Eamon, and more, Legends Never Die is not only a celebration of R.A.' S illustrious career, but an exciting look at what's still to come. 'Honestly, I feel like this is only the beginning,' says R.A.

'The only reason I live is to be the best at what I do and I get better at it every day of my life. I can't wait to unleash it to the world.' The late, great J Dilla is rightly celebrated as one of the greatest hip-hop producers of all time, in part because his ear for music was so diverse and expansive. As Dilla’s mother Ma Dukes explains, “He didn’t come with a limited capacity, and real producers produce, produce, and produce. “There are no formats for genius workers. Just non-stop creations.” Now, a fresh batch of those creations will be made available to the world for the first time, in the form of the latest official J Dilla release, Dillatronic.

NOW AVAILABLE ON CASSETTE!!! Often, art is considered the safe space for dangerous ideas. JPEGMAFIA is a reminder that in a dangerous world, sometimes nowhere is safe. Operating out of Baltimore Maryland but born in New York to Jamaican parents, JPEG spent the bulk of his childhood in East Flatbush, Brooklyn—a neighborhood deeply rooted in West Indian culture and black pride—and the majority of his mid teens in deep south rural Alabama—bouncing from place to place due to rough circumstances at home and after a short stint in prison due to a racially-charged altercation in his late teens, JPEG joined the military where he’d be deployed to different parts of the world, meeting fellow artists and adding new elements to his producing and rapping repertoire. If trap music is the sound of the street, then JPEGMAFIA is trap’s subconscious; dark but not without a humor that makes things even more uncomfortable. His role as villain or satirist, hood protector or nihilist is intentionally hard to put one’s finger on.

What more appropriate way to embody the frightening and confusing reality of America today?

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